Why is Palestrinas music representative of the first practice, and most of Monteverdis music representative of the second practice? Things to cover: Describe Palestrinas style using the motet Dum complerentur. Discuss the debate between Artusi (works for the church) over the madrigal, “Cruda Amarilli by Monteverdi. Consider Artusis background; why is he missing the point? Why does Gesualdos madrigal Beltà, poi che tassenti fall between the two practices? Why does Lassus motet Timor et tremor fall between the two practices? How did later composers like Gabrieli and Schutz combine the two practices in their sacred music, and why? N.B. Make sure that you address the issue of sacred vs. secular music. Use 7 to 8 sources
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